Pictures from “Audio im Umschlag”, an evening of improvised Sound Performances at the Volxbühne in Mülheim. With Peter Eisold, Florian Walter, Rochus Aust and Florian Hartlieb.
© Dirk Elstermeier
Pictures from “Audio im Umschlag”, an evening of improvised Sound Performances at the Volxbühne in Mülheim. With Peter Eisold, Florian Walter, Rochus Aust and Florian Hartlieb.
© Dirk Elstermeier
Last friday I was invited as the speaker for the Creative Mornings series in Düsseldorf, where I gave a talk about the relation of my compositional practice to the topic of work.
Here you can watch the full lecture:
On November, 4th will be the premiere of Hiatus, a dance-theatre production by Satellit Produktion.
The piece is part of the Spielart Festival in Munich. The premiere will take place at the Schwere Reiter.
The music is composed by Florian Hartlieb and Amir Nasr.
My piece Im Puls, that was originally written for a multimedia dance-performance, has been released by TFM Records.
It is available now for download on Amazon, iTunes, etc.
The DEGEM CD “Grenzen” (“Borders”) is out now!
It is published by the Edition DEGEM and can be ordered here. The CD is curated by my person and consists of ten new written pieces, all to the topic “borders”.
01] Golla & Heyduck:
luftraumgrenzenlos
[08:00]
[02] Arsalan Abedian:
Cstück Nr.2
[05:04]
[03] Hanns Holger Rutz:
Grenzwerte
[06:30]
[04] Gerald Fiebig:
Cross Talk
[07:29]
[05] Marc Behrens:
To Break an Elephant’s Leg
[05:00]
[06] Peter Eisold:
Borderline Syndrom
[07:11]
[07] Brian Smith:
Interstitial Flux
[06:11]
[08] Denise Ritter:
Hölleneingang a, b, c bis z (radio edit)
[09:28]
[09] Kai Niggemann:
Electric Canopy
[04:24]
[10] CLUBbleu:
charsiewbao
[04:57]
The DEGEM CD 13 “Borders”, which I curated, will be presented to the public by my person during the Kontakte Festival at the Academy of Arts in Berlin!
Border — it can define the edge of a room, it can be a dividing line or a delimited area. Borders can occur between people, nations, states, thoughts, traditions, lands, and cultures. A border can be a demarcation or exclusion between outside and inside. It can define one’s own limits or the limits to another. Borders can be cut, crossed, opened, overcome, ignored, or moved. A border can also be completely insurmountable.
Borders — this is a central theme of our time. While borders in many parts of Europe were taken down some time ago, on the edges of the continent there is a border that has become deadly for many people in the past few months. Religions and cultures are perceived as borders. Being involved with the current political situation has motivated me to create the DEGEM CD 13 with Borders as the overreaching theme.
Borders — The composers whose work appears on this CD have been completely free to interpret the theme. Ten new and high-quality pieces of music have thus been written which all address the theme in a wide-ranging, experimental, and highly differentiated manner.
On August 21st, I will give an inside into the interactive soundstation I designed for the EU-Project Work with Sounds, during the corresponding conference at the Museum Zeche Zollern in Dortmund.
The soundstation will be exposed that day and can be used by attendees of the conference.
On Friday, july 24th, I will be guest of the radio show Prasse Pur on Radio Zusa.
I will talk about several of my compositions and present some music. Feel free to tune in, via webstream on www.radio-zusa.de. The show starts at 6:00 pm.
On Sunday, may 17th, will be the premiere of my sound installation Untertage during the International Museums Day 2015 at the Henrichshütte Hattingen.
The installation is inspired by the text “Aus dem Bergmannsleben” by Karl Krampe and is built with sounds from the EU-Project Work with Sounds.
Now on Soundcloud: a short excerpt of the music for U_Turn, a generative sound- and dance installation, I realized in cooperation with the Choreographer David N. Russo.
The performance took place in the Munich Dome on the Aschermittwoch der Künstler.
© picture Kiderle